The Top Film Schools

Kevin Smith, the director most famous for the independent movie Clerks, has always stated that there’s no such thing as a list of the top flick schools; simply because motion picture schools cannot really educate you on how you can end up being a good director; you either have it, or you don’t.

I believe there’s an element of reality to this. Directing is definitely an art, and when you do not possess a natural ability for it, then you will not be any good at that. The very best movie schools and education can’t change it. It’s not different than painting or sculpting; if you cannot do it, you can’t get it done. What I learned during my time in a motion picture school was that a film release date can tell you a great deal about the motion picture release itself. Agencies do not actually release movies – studios do – but they have got some say in it. And it is simply not so good news for an agency in the event that one of their star’s motion pictures is launched in January or February. Simply because it implies the studio thinks the movie is going to bomb, and nobody would like their celebrity to be in a bomb.

However, what the very best film schools can do is teach how to take whatever latent skill you may have and apply it to the very best of your ability. Certainly this is not an assurance – even the University of Southern California, the University of California at Los Angeles, and New York University, mainly considered the 3 best movie schools in America, can’t assure that you will become an abundant as well as successful filmmaker. But what they can do is provide the resources in order to get there.

What are the resources that flick schools need to provide upon their students? The first is an understanding that, while motion picture direction is an art, it is also a business. And that in business, it’s never a good strategy to burn links. Any individual you meet, any contact you earn, is possibly one who can, either now or down the road, help you realize your dream to become a professional filmmaker. The best motion picture schools do not actually teach classes in networking; the best flick schools are networks. If, however, you enter a USC or a UCLA or an NYU, then you get the chance to become familiar with a generation of folks who will be running the flick industry in the many years to come.

Then there’s providing an understanding of movie itself. A lot of motion picture schools don’t require motion picture criticism/cinema studies classes, but they should. If the concept of making a movie is to either take or subvert a given medium (and that is exactly what all films intend, it is either one or the other), it’s essential to know every aspect of that medium. Consider it just like Picasso – he didn’t simply splash random things on the canvas from the time he was a kid. He instead mastered and comprehended the techniques of past masters, then proceeded to go in his own path (which in his case was mainly subversion).

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